Showing posts with label architects. Show all posts
Showing posts with label architects. Show all posts

Villa Amanzi by Original Vision Ltd at Kamala Beach in Phutek, Thailand

Villa Amanzi by Original Vision Ltd at Kamala Beach in Phutek, Thailand
Villa Amanzi celebrates a most unique contrasting experience of solidarity and openness. Architects Adrian McCarroll, Waiman Cheung and Jamie Jamieson of Original Vision Ltd realized this open and playful design on the extremely diverse landscape and terrain high above the Andaman Sea located at Kamala Beach in Phutek, Thailand.
The 2,644 sqm design dutifully integrates notions of interior and exterior in the public and private realms by giving constant reference to the towering stone peaks and dramatic views of this wondrous site. The dynamic use of cantilevered features explore characteristics of spatial separation and identification inherent in the works of Frank Lloyd Wright, most notably Falling Water. The design also pays homage Mies Van deer Rohe’s Barcelona Pavilion as the terraces afford fine views that guide users through uninterrupted spans and transitory spaces where notions of indoor and outdoor are abandoned. The cantilevered swimming pool is the heart of the design.

Villa Amanzi by Original Vision Ltd at Kamala Beach in Phutek, Thailand

Villa Amanzi by Original Vision Ltd at Kamala Beach in Phutek, Thailand



Villa Amanzi by Original Vision Ltd at Kamala Beach in Phutek, Thailand


Villa Amanzi by Original Vision Ltd at Kamala Beach in Phutek, Thailand

What Happened to Monday's Entry?

After such a great last couple of weeks I felt terrible about not getting Monday's entry out until 10pm. Each weekend I like to take the family out to a new location or three, and take as many photos as possible. Then, throughout the week, I'll organize them into separate entries and post them. Well, unfortunately, I smashed my toe up pretty bad early Saturday, which made walking around anywhere pretty much a wash that day. Sunday was already spoken for, so when Monday rolled around, I literally had not a single photo of my own to post. I figured, eh, I'll just do one of those stream of consciousness things, maybe type something up during the slow time at work. That's when I found out about the ant infestation at my desk.

Anyway, point being, we didn't get out to get any photos until tonight. So bear with me. I'll try and have Tuesday's entry up much earlier than today's, and by Wednesday we should be back on the usual 7:00 AM posting schedule again.

As for what this photo is, if anyone could tell me, I'd be curious to know. We just call them "Road Spiders" cause they always seem to be beside roads, and...er...they look kinda like spiders. But some of them have those four oil barrels on the pillars, some don't, and their use isn't entirely clear, though I strongly suspect it has something to do with paving roads with tar or something.

This week I'll be focusing on points of interest in the local Mid-Cities area.

Friday Feature: Interviewing Bouler Design Group

For our Friday Feature, we interview Bouler Design Group for tips on how to achieve success in architecture and design. Students and Professionals alike will have an interest in this firm's ability to withstand an increasingly competitive market, and how they managed to achieve it through modern environmental methods mixed with traditional designs.



First, a bit about the firm. Bouler Design Group consists primarily of architect James Bouler (RA, AIA), Nicholas Pfluger (Associate), and Nadine Bouler (Creative Team Advisor). Based in Islip, New York, they have been featured in "Leading Residential Architects" by Pamela Lerner Jaccarino, as well as having written numerous articles on their innovative methods of mixing modern environmentally-friendly technologies with the traditional design types required by certain communities.

(above) The Oldfield, NY house featured house in "Leading Architects" (more)

BRANDON: Thank you, Nadine and James. Could you both start by telling us a little about yourselves, your job position(s), and credentials?

NADINE: Bachelors in Art/Architecture History, Masters in English Literature, teaching high school (and a brief stint at local college) since 1994. [ed. Nadine is also an author and has also published a children's book and three young adult novels (more).]

JAMES: Bachelor's in Architecture from Auburn University, and Master of Fine Arts in Sculpture, own practice since 1998.

B: Let's get down to what I and probably every other student is wondering right now, how hard was it to start your own architectural firm?

N: It helped to have one of us with a steady job and benefits (me). James is incredibly motivated, focused, determined so he didn't get distracted. He works well with contractors as well as the clients so that helped him get a lot of word of mouth recommendations. Advertising hasn't worked as well for us. We are still a small firm but that allows James to ensure top quality in terms of design and accuracy, as well as customer service. James has been successful because he's a great designer, easy to talk to, returns calls quickly, and works as many hours as needed to get it done. The biggest challenge was not working 24/7. James is always in touch with clients and contractors so it can be tough to turn it off on weekends, nighttime, and vacations.


(above) James Bouler gives a presentation on sustainable architecture (more)

B: I've heard a lot of debate about RA vs. AIA credentials. Do you find the benefits of AIA membership worth the annual price? If not, what extra benefits would you like them to provide?

N: We have gotten a few substantial jobs through the AIA website so it has worked for us. Having a link to our site made it worthwhile.

B: Not counting college tuition for a BS and possibly a Masters in Architecture, what additional costs can students count on having to pay for licenses, tests, memberships, fees, equipment, software, etc, before they can truly earn a living in the field?

N: If it is your own practice there is a lot of overhead, especially insurance. The computer stuff is the cost of doing business. We've also invested in our own plotter which was costly, but if you work for someone else, that's not as much of a factor. One plus is you can start your practice in your home since most clients meet you at their place.


(above) Lido Beach House proposal (more)

B: So far, I've heard social skills are the most important factor to success in Architecture. What would you say is most important to an individual's success? How about a firm's success?

N: Working well with others does help--though that doesn't mean you should be a pushover. If your role is to bring in work, it helps to network, getting to know contractors, and recommending good ones. In terms of the overall firm, a good product is important. Accuracy is key in terms of the plans and the paperwork for permits, etc. Architects also need to realize that this can be a very stressful moment in a person's life--disrupting their lives for a residential project, spending lots of money--so patience with the client is important. Also, keep the practice diverse. We take commercial, residential, waterfront, high-end, mid-range additions. It helps in uncertain times.

B: Given free reign on a project, what style of architecture would you most like to work with?

N: We'd go green and modern.

(above) Oak Beach, NY house of recycled materials and near zero-carbon footprint (more)

B: What sort architectural and design "features" by others tend to annoy you?

N: Vinyl siding. [ed. This is the number one answer I get from every architect I ask.]

B: Good, Fast, Cheap. Pick Two.

N: Good. The others are optional.

(above) Proposed Bayshore, NY house (more)

B: What's your dream project? The one that you lay awake at night and envision one day having a benefactor to pay for it.

N: A personal chapel, but james is awake at night thinking about getting projects through the DEC more than design problems.

B: What's the hardest compromise you've ever had to make on a project?

N: 1. Cost 2. Clients who don't want good design, or are too insecure to go for something that's not like everyone else.
(above) Westhampton, NY house (more)

B: Are there any vital tools and/or skills you can think of that they don't mention in school that are monumental in terms of time and/or money saved?

N: The ability to write contracts and to handle paperwork is a bigger part of the job than design school indicates--but perhaps that's best. I'm not sure that answers your question though.

B: What did you do with all your old architectural models from school? Did you keep them as reminders, or did you recycle them with each project? Or something else?

N: We have pictures of them in a box, but that was over 20 years ago.

(above) Easport, NY house (more)

B: Have you ever met or worked with any Starchitects, or other related celebrities, such as architectural photographer Julius Schulman?

N: James met I.M. Pei who had a great apartment in the city with a magnificent art collection.

B: Do you have any parting words of advice for students pursuing a career in this field?

N: Remember to remain curious about the world around you. inspiration comes from unusual places.

(above) Islip, NY house (more)

Special thanks to Nadine Bouler and Bouler Design Group for the interview. If you would like to know more about them, please visit their web-page at http://www.boulerdesigngroup.com

Or you can contact them at:

Bouler Design Group
12 Doxsee Pl.
Islip, NY 11751
(v) 631.969.3335
(f) 631.969.3391
(e) boulerdesign@verizon.net

Architectural Pop-up Book: "The Architecture Pack"

So I'm wandering through the architecture section of the local Half-Price Books looking for anything cheap and interesting, and I come across the coolest thing: an out-of-print, architectural pop-up book!


The Architecture Pack : A Unique, Three-Dimensional Tour of Architecture over the Centuries : What Architects Do, How They Do It by Ron Van Der Meer and Deyan Sudjic is a delightful mixture of fact and fun. It mixes pop-ups of famous buildings with flip and folds, overlays, action pull-tabs, guide-strings, 3D glasses to see hidden redlines and bluelines, and even includes a kit to put together a house, an audio cassette tape, and a pocket architecture glossary. Though published in 1997, the entire kit seems to have been the inspiration for the later produced Ologies books, such as Pirateology. Each page even has upside-down text that encourages the reader to turn the book around and see With visions of my son flipping the pages in the future, and playing with the interactive parts of the book to learn what daddy does for a living (someday), I gleefully snatched up the book and ran to the counter. When I finally got home to examine it in-depth, I knew I had to snap photos of it and post it on my blog.


This first page of the book shows the early history of Architecture including mention of Imhotep as "the first Architect". The popups show a tepee and an old hammer-beam half-timber frame house from Great Hall in Westminster, built in 1399.


Here's a beautiful pop-up of Falling Water in Bear Run, Pennsylvania, designed by Frank Lloyd Wright (1936).


Of course, no book would be complete without mentioning the Roman Coliseum, of which The Pack has a nice wraparound foldout.


Villa Rotonda (aka Villa Capra), built 1550-1569 by Andrea Palladio, is also featured.


The book gives an excellent example of how the concept of Gothic arches were developed. If you look closely in the lower-left quadrant of the photo, you can see little blue tabs on red strings to demonstrate how the overlapping circles arrived at the uniquely distinctive shape of a Gothic arch, which ultimately lead to...


The Chartres Cathedral was completed in France in 1260, but didn't make it to 3D on paper till over 700 years later.


The Karlsplatz Subway Station in Vienna, designed and built by Otto Wagner in 1898.


I was amazed that they managed to include a complex a shape as a Sydney Opera House, by Jørn Utzon (1973).


The famous courtyard of the Palazzo Ducale di Urbino is credited in the book to Federico da Montefeltro, though it is the work of many architects, starting with Luciano Laurana.


Kinkakuji (aka The Temple of the Golden Pavilion), in Kyoto, Japan, 1397 remains to this day just as beautiful as it was then. It's real name is Rokuon-ji, if you're ever in the neighborhood.


Chapel of Nôtre Dame du Haut in Ronchamp, France, by Le Corbusier is another irregularly shaped building that translates beautifully to the popup book.


In front is the elevator safety design by Elisha Otis cleverly operated by a pull-tab, where you can see the car and counterweight move up and down opposite to one another. In the back you can see the Petronas Towers in Kuala Lumpur, designed by César Pelli in 1996.


The John Hancock Center in Chicago, Illinois (1970) by Skidmore, Owings, & Merrill, is even portrayed, to show off the tapered skyscraper design.


"The Getty Brief" of the Getty Museum by Richard Meier & Partners. At the time the book was written, the museum had not yet been finished.


The coup de gras, an included kit to create a tiny paper scale model of the Schroder House by Gerrit Rietveld. And mine is still in the original wrap! I'm still debating as to whether or not to break it out and assemble it or not. I have the same misgivings about opening the Frank Lloyd Wright Lego set, should I actually win it.

The Architecture Pack is a surprise and delight all the way to the end. I honestly cannot wait to get my hands on a cassette player so I can actually hear what is on the tape. I also have a feeling the included pocket glossary will come in handy in the very near future. When I looked up the price of the book last night on Amazon, there was only one seller, selling for about $63. I felt elated at having scored it for only $10. Today, there are people selling it for $4. Rather than feeling upset, because I fully intend to keep my copy, I think I might just pick up a second copy and let the boy use that one as a popup book, and keep this one for myself...for...you know...for reference purposes...